16 Principles of Choral Music
- Always have a pencil in rehearsal and use it.
- Plan to breathe. Mark it in your music and always breathe there.
- Never less than half-a-tank. Plan your breathing; never run out of air.
- Good diction begins with good rhythm. Subdivide the beats and keep a careful, steady pulse.
- Any note longer than a dotted quarter must be shaped (usually < >).
- Note shaping applies to phrase shaping. Keep the target word(s) in mind.
- Word Stress. Every word with two or more syllables must have one strong syllable.
- Choral sound is Tall, Dark and Forward. 95% of energy is on sustained sound, 5% on vanishing sound.
- Always tall, uniform vowels. Unify WITHIN the section, then unify BETWEEN the sections.
- Voiced consonants have pitch and length. Examples are "B" "V" and "N"
- Aspirated consonants require air and must be heard. Examples are "H" and "F"
- Singing soft is harder than singing loud. Decrease volume and increase intensity (breath support).
- Rubato means "Free with Time". Speed up or slow down depending on the phrasing of the music.
- Prepare for Entrances. Think the pitch, form the vowel, breathe through the vowel shape.
- Crescendo requires a slight drop of the jaw. Don't warp the sound. Build from the bottom up.
- De-emphasize syllables using "schwa". Examples are "the" and "station".